b : a man belonging to the landed gentry
(2) : a man whose conduct conforms to a high standard of propriety or correct behavior
d(1) : a man of independent means who does not engage in any occupation or profession for gain
(2) : a man who does not engage in a menial occupation or in manual labor for gain
Other Words from gentleman
gentlemanlike \ ˈjen-tᵊl-mən
noun, plural gen·tle·men.
a
man of good family, breeding, or social position.
(used as a polite term) a man: Do you know that gentleman over there?
gentlemen, (used as a form of address): Gentlemen, please come this way.
a civilized, educated, sensitive, or well-mannered man: He behaved like a true gentleman.
a male personal servant, especially of a man of social position; valet.
a male attendant upon a king, queen, or other royal person, who is himself of high birth or rank.
A
butler is a person who works in a house serving and is a
domestic worker in a large
household.
Butlers traditionally learned their position while progressing their way
up the service ladder. For example, in the documentary
The Authenticity of Gosford Park, retired butler Arthur Inch (born 1915) describes starting as a
hall boy.
The
hall boy or
hallboy[1] was a position held by a young male
domestic worker on the staff of a
great house, usually a young teenager. The name derives from the fact that the hall boy usually slept in the
servants' halhttps://www.etymonline.com/word/hallhall (n.)
Old English heall "spacious roofed residence, house; temple; law-court," any large place covered by a roof, from Proto-Germanic *hallo "covered place, hall" (source also of Old Saxon, Old High German halla, German halle, Dutch hal, Old Norse höll "hall;" Old English hell, Gothic halja "hell"), from PIE root *kel- (1) "to cover, conceal, save."
Revelation 1:18
I am He that liveth, and was dead; and behold, I am alive for evermore, Amen, and have the keys of hell and of death.
Ptah-Seker (who resulted from the identification of the creator god
Ptah with
Seker) thus gradually became identified with Osiris, the two becoming
Ptah-Seker-Osiris.
As the sun was thought to spend the night in the underworld, and was
subsequently "reborn" every morning, Ptah-Seker-Osiris was identified as
king of the
underworld, god of the
afterlife, life, death, and regeneration.
https://en.wikipedia.org/wiki/Baal_ShemThe unofficial title Baal Shem was given by others who recognized or benefited from the Baal Shem's ability to perform wondrous deeds, and emerged in the Middle Ages, continuing until the early modern era.
Rabbi Elijah Ba'al Shem of Chelm is the oldest historical figure to have been contemporaneously known as a Baal Shem.[9] He was known to study Kabbalah. He received the title of Ba'al Shem because of his creation of this anthropomorphic being through the use of a "Shem" (one of God's names.)[10] His descendant, Tzvi Ashkenazi, mentioned that people attested to him having created a Golem using Sefer Yetzirah.
Comments
Image Credit: International Gemini Observatory, NOIRLab, NSF, AURA; M. H. Wong (UC Berkeley) & Team;
Red dwarf stars make up the largest population of stars in the galaxy, but they hide in the shadows, too dim to be seen with the naked eye from Earth. Their limited radiance helps to extend their lifetimes, which are far greater than that of the sun.
The term "red dwarf" does not refer to a single kind of star. It is frequently applied to the coolest objects, including K and M dwarfs — which are true stars — and brown dwarfs, often referred to as "failed stars" because they do not sustain hydrogen fusion in their cores.
"There is no true definition of red dwarfs," astronomer Michaël Gillon of the University of Liège in Belgium told Space.com by email. Gillon, who studies stellar objects at the cooler end of the spectrum, was part of the team that identified the ultracool star TRAPPIST-1. Red dwarf "generally refers to dwarf stars with a spectral type ranging from K5V to M5V," Gillon said.
A brown dwarf is a type of substellar object that has a mass between those of the heaviest gas giant planets and the least massive stars, i.e. about 13 to 75–80 times that of Jupiter (MJ),[1][2] or about 2.5×1028 kg to 1.5×1029 kg. Below this range are the sub-brown dwarfs (sometimes referred to as rogue planets), and above it are the red dwarfs. Brown dwarfs may be fully convective, with no layers or chemical differentiation by depth.[3]
Unlike the stars in the main sequence, brown dwarfs are not massive enough to sustain nuclear fusion of ordinary hydrogen (1H) to helium in their cores. They are, however, thought to fuse deuterium (2H). If their mass is > 65 MJ they may also fuse lithium (7Li).[2] It is also debated whether brown dwarfs would be better defined by their formation processes rather than by their nuclear fusion reactions.[4]
Stars are categorized by spectral class, with brown dwarfs designated as types M, L, T, and Y.[4][5] Despite their name, brown dwarfs are of different colors.[4] Many brown dwarfs would likely appear magenta to the human eye,[4][6] or possibly orange/red.[7] Brown dwarfs are not very luminous at visible wavelengths.
There are planets known to orbit brown dwarfs, such as 2M1207b, MOA-2007-BLG-192Lb, and 2MASS J044144b.
An intergalactic star, also known as an intracluster star or a rogue star, is a star not gravitationally bound to any galaxy. Although a source of much discussion in the scientific community during the late 1990s, intergalactic stars are now generally thought to have originated in galaxies, like other stars, but later expelled as the result of either colliding galaxies or of a multiple star system travelling too close to a supermassive black hole, which are found at the center of many galaxies.
Collectively, intergalactic stars are referred to as the intracluster stellar population, or IC population for short, in the scientific literature.Another hypothesis, that is not mutually exclusive to the galactic collisions hypothesis, is that intergalactic stars were ejected from their galaxy of origin by a close encounter with the supermassive black hole in the galaxy center, should there be one. In such a scenario, it is likely that the intergalactic star(s) was originally part of a multiple star system where the other stars were pulled into the supermassive black hole and the soon-to-be intergalactic star was accelerated and ejected away at very high speeds. Such an event could theoretically accelerate a star to such high speeds that it becomes a hypervelocity star, thereby escaping the gravitational well of the entire galaxy.
The astrological symbols for the classical planets appear in the medieval Byzantine codices in which many ancient horoscopes were preserved.[7] In the original papyri of these Greek horoscopes, there are found a circle with one ray () for the Sun and a crescent for the Moon.[8] The written symbols for Mercury, Venus, Jupiter, and Saturn have been traced to forms found in late Greek papyri.[9] The symbols for Jupiter and Saturn are identified as monograms of the initial letters of the corresponding Greek names, and the symbol for Mercury is a stylized caduceus.[9]
A. S. D. Maunder finds antecedents of the planetary symbols in earlier sources, used to represent the gods associated with the classical planets. Bianchini's planisphere, produced in the 2nd century,[10] shows Greek personifications of planetary gods charged with early versions of the planetary symbols: Mercury has a caduceus; Venus has, attached to her necklace, a cord connected to another necklace; Mars, a spear; Jupiter, a staff; Saturn, a scythe; the Sun, a circlet with rays radiating from it; and the Moon, a headdress with a crescent attached.[11] A diagram in Johannes Kamateros' 12th century Compendium of Astrology shows the Sun represented by the circle with a ray, Jupiter by the letter zeta (the initial of Zeus, Jupiter's counterpart in Greek mythology), Mars by a shield crossed by a spear, and the remaining classical planets by symbols resembling the modern ones, without the cross-mark seen in modern versions of the symbols.[11] The modern Sun symbol, pictured as a circle with a dot (☉), first appeared in the Renaissance.Se’īrīm (Hebrew: שעירים, singular sa'ir) are a kind of demon. Sa’ir was the ordinary Hebrew word for "he-goat", and it is not always clear what the word's original meaning might have been. But in early Jewish thought, represented by targumim and possibly 3 Baruch, along with translations of the Hebrew Bible such as the Peshitta and Vulgate, the se’īrīm were understood as demons.[1][2] Se'īrīm are frequently compared with the shedim of Hebrew tradition, along with satyrs of Greek mythology
Thus Isaiah 13:21 predicts, in Karen L. Edwards's translation: "But wild animals [ziim] will lie down there, and its houses will be full of howling creatures [ohim]; there ostriches will live, and there goat-demons [sa’ir] will dance." Similarly, Isaiah 34:14 declares: "Wildcats [ziim] shall meet with hyenas [iim], goat-demons [sa’ir] shall call to each otherwoodwose
(ˈwʊdˌwəʊz)Tapestry: Wild Men and Moors
https://en.wikipedia.org/wiki/Ragnarök
In Norse mythology, Ragnarök (/ˈræɡnəˌrɒk, ˈrɑːɡ-/ (listen))[2][3][4] is a series of events, including a great battle, foretold to lead to the death of a number of great figures (including the gods Odin, Thor, Týr, Freyr, Heimdallr, and Loki), natural disasters and the submersion of the world in water. After these events, the world will resurface anew and fertile, the surviving and returning gods will meet and the world will be repopulated by two human survivors. Ragnarök is an important event in Norse mythology and has been the subject of scholarly discourse and theory in the history of Germanic studies.
The event is attested primarily in the Poetic Edda, compiled in the 13th century from earlier traditional sources and the Prose Edda, written in the 13th century by Snorri Sturluson. In the Prose Edda and in a single poem in the Poetic Edda, the event is referred to as Ragnarök or Ragnarøkkr (Old Norse for '"Fate of the Gods" and "Twilight of the Gods," respectively'), a usage popularised by 19th-century composer Richard Wagner with the title of the last of his Der Ring des Nibelungen operas, Götterdämmerung (1876), which is "Twilight of the Gods" in German.
The Old Norse compound ragnarok has a long history of interpretation. Its first element, ragna, is unproblematic, being the genitive plural of regin (n. pl.) "the ruling powers, gods." The second element is more problematic, as it occurs in two variants, -rök and -røkkr. Writing in the early 20th century, philologist Geir Zoëga treats the two forms as two separate compounds, glossing ragnarök as "the doom or destruction of the gods" and ragnarøkkr as "the twilight of the gods."[5]
The plural noun rök has several meanings, including "development, origin, cause, relation, fate."[6] The word ragnarök as a whole is then usually interpreted as the "final destiny of the gods."[7]
The singular form ragnarøk(k)r is found in a stanza of the Poetic Edda poem Lokasenna, and in the Prose Edda. The noun røk(k)r means "twilight" (from the verb røkkva "to grow dark"), suggesting a translation "twilight of the gods." This reading was widely considered a result of folk etymology, or a learned reinterpretation, of the original term due to the merger of /ɔ:/ (spelled ǫ) and /ø/ in Old Icelandic after c. 1200[8] (nevertheless giving rise to the calque Götterdämmerung "Twilight of the Gods" in the German reception of Norse mythology[9]).
Other terms used to refer to the events surrounding Ragnarök in the Poetic Edda include aldar rök (aldar means age, "end of an age") from a stanza of Vafþrúðnismál, tíva rök from two stanzas of Vafþrúðnismál, þá er regin deyja ("when the gods die") from Vafþrúðnismál, unz um rjúfask regin ("when the gods will be destroyed") from Vafþrúðnismál, Lokasenna, and Sigrdrífumál, aldar rof ("destruction of the age") from Helgakviða Hundingsbana II, regin þrjóta ("end of the gods") from Hyndluljóð, and, in the Prose Edda, þá er Muspellz-synir herja ("when the sons of Muspell move into battle") can be found in chapters 18 and 36 of Gylfaginning.In the Poetic Edda poem Völuspá, references to Ragnarök begin from stanza 40 until 58, with the rest of the poem describing the aftermath. In the poem, a völva (a female seer) recites information to Odin. In stanza 41, the völva says:
Fylliz fiǫrvi feigra manna,
rýðr ragna siǫt rauðom dreyra.
Svǫrt verða sólskin of sumor eptir,
veðr ǫll válynd. Vitoð ér enn, eða hvat?
It sates itself on the life-blood of fated men,
paints red the powers' homes with crimson gore.
Black become the sun's beams in the summers that follow,
weathers all treacherous. Do you still seek to know? And what?
The "sons of Mím" are described as being "at play," though this reference is not further explained in surviving sources.[14] Heimdall raises the Gjallarhorn into the air and blows deeply into it, and Odin converses with Mím's head. The world tree Yggdrasil shudders and groans. The jötunn Hrym comes from the east, his shield before him. The Midgard serpent Jörmungandr furiously writhes, causing waves to crash. "The eagle shrieks, pale-beaked he tears the corpse," and the ship Naglfar breaks free thanks to the waves made by Jormungandr and sets sail from the east. The fire jötnar inhabitants of Muspelheim come forth.[15]
The völva continues that Jötunheimr, the land of the jötnar, is aroar, and that the Æsir are in council. The dwarfs groan by their stone doors.[13] Surtr advances from the south, his sword brighter than the sun. Rocky cliffs open and the jötnar women sink.https://en.wikipedia.org/wiki/Ragnarök
The völva continues that Jötunheimr, the land of the jötnar, is aroar, and that the Æsir are in council. The dwarfs groan by their stone doors.[13] Surtr advances from the south, his sword brighter than the sun. Rocky cliffs open and the jötnar women sink.[16]
The gods then do battle with the invaders: Odin is swallowed whole and alive fighting the wolf Fenrir, causing his wife Frigg her second great sorrow (the first being the death of her son, the god Baldr).[17] Odin's son Víðarr avenges his father by rending Fenrir's jaws apart and stabbing it in the heart with his spear, thus killing the wolf. The serpent Jörmungandr opens its gaping maw, yawning widely in the air, and is met in combat by Thor. Thor, also a son of Odin and described here as protector of the earth, furiously fights the serpent, defeating it, but Thor is only able to take nine steps afterward before collapsing. The god Freyr fights Surtr and loses. After this, people flee their homes, and the sun becomes black while the earth sinks into the sea, the stars vanish, steam rises, and flames touch the heavens.[18]
The völva sees the earth reappearing from the water, and an eagle over a waterfall hunting fish on a mountain. The surviving Æsir meet together at the field of Iðavöllr. They discuss Jörmungandr, great events of the past, and the runic alphabet. In stanza 61, in the grass, they find the golden game pieces that the gods are described as having once happily enjoyed playing games with long ago (attested earlier in the same poem). The reemerged fields grow without needing to be sown. The gods Höðr and Baldr return from Hel and live happily together.[19]
The völva says that the god Hœnir chooses wooden slips for divination, and that the sons of two brothers will widely inhabit the windy world. She sees a hall thatched with gold in Gimlé, where nobility will live and spend their lives pleasurably.[19] Stanzas 65, found in the Hauksbók version of the poem, refers to a "powerful, mighty one" that "rules over everything" and who will arrive from above at the court of the gods (Old Norse regindómr),[20] which has been interpreted as a Christian addition to the poem.[21] In stanza 66, the völva ends her account with a description of the dragon Níðhöggr, corpses in his jaws, flying through the air. The völva then "sinks down."[22] It is unclear if stanza 66 indicates that the völva is referring to the present time or if this is an element of the post-Ragnarök world.Sól (Old Norse "Sun")[1] or Sunna (Old High German, and existing as an Old Norse and Icelandic synonym: see Wiktionary sunna, "Sun") is the Sun personified in Norse mythology. One of the two Old High German Merseburg Incantations, written in the 9th or 10th century CE, attests that Sunna is the sister of Sinthgunt. In Norse mythology, Sól is attested in the Poetic Edda, compiled in the 13th century from earlier traditional sources, and the Prose Edda, written in the 13th century by Snorri Sturluson.
In both the Poetic Edda and the Prose Edda she is described as the sister of the personified Moon, Máni, is the daughter of Mundilfari, is at times referred to as Álfröðull, and is foretold to be killed by a monstrous wolf during the events of Ragnarök, though beforehand she will have given birth to a daughter who continues her mother's course through the heavens. In the Prose Edda, she is additionally described as the wife of Glenr. As a proper noun, Sól appears throughout Old Norse literature. Scholars have produced theories about the development of the goddess from potential Nordic Bronze Age and Proto-Indo-European roots.
https://en.wikipedia.org/wiki/Suns_in_alchemyAstronomy
Isaiah 14
Andromedan are either humanoid[1] or energy beings.[2] Since it's generally thought that things cannot be made of energy, akin to how they cannot be made of mass, the latter description is implausible. However, by "energy" beings certain witnesses might actually be referring to plasma beings instead.
Most sources and pictures depict them as blue or violet. Similar being's have been depicted in ancient egyptian hieroglyphs.[3]
History
According to some sources, the Andromedans form part of an interstellar federation, known as the Council of Andromeda.[1][3] Their goals for planet Earth and humanity vary, from removing all hostile extraterrestrial presence[3] to promoting the use of electric cars.[4] However, they always seem to have good intentions and are protective of humankind. Although due to certain findings, their presence on earth can be traced as far back to the days when the ancient Hindu deities and the ancient Egyptian hierarchy ruled; which leaves a lot of uncertainty about their true goals for humanity.Vision of the New Jerusalem (Invaded Jerusalem)
9 Then one of the seven angels who had the seven bowls full of the seven last plagues came and said to me, “Come, I will show you the bride, the wife of the Lamb.” 10 And in the spirit[f] he carried me away to a great, high mountain and showed me the holy city Jerusalem coming down out of heaven from God. 11 It has the glory of God and a radiance like a very rare jewel, like jasper, clear as crystal. 12 It has a great, high wall with twelve gates, and at the gates twelve angels, and on the gates are inscribed the names of the twelve tribes of the Israelites; 13 on the east three gates, on the north three gates, on the south three gates, and on the west three gates. 14 And the wall of the city has twelve foundations, and on them are the twelve names of the twelve apostles of the Lamb.
15 The angel[g] who talked to me had a measuring rod of gold to measure the city and its gates and walls. 16 The city lies foursquare, its length the same as its width; and he measured the city with his rod, fifteen hundred miles;[h] its length and width and height are equal. 17 He also measured its wall, one hundred forty-four cubits[i] by human measurement, which the angel was using. 18 The wall is built of jasper, while the city is pure gold, clear as glass. 19 The foundations of the wall of the city are adorned with every jewel; the first was jasper, the second sapphire, the third agate, the fourth emerald, 20 the fifth onyx, the sixth carnelian, the seventh chrysolite, the eighth beryl, the ninth topaz, the tenth chrysoprase, the eleventh jacinth, the twelfth amethyst. 21 And the twelve gates are twelve pearls, each of the gates is a single pearl, and the street of the city is pure gold, transparent as glass.
22 I saw no temple in the city, for its temple is the Lord God the Almighty and the Lamb. 23 And the city has no need of sun or moon to shine on it, for the glory of God is its light, and its lamp is the Lamb. 24 The nations will walk by its light, and the kings of the earth will bring their glory into it. 25 Its gates will never be shut by day—and there will be no night there. 26 People will bring into it the glory and the honor of the nations. 27 But nothing unclean will enter it, nor anyone who practices abomination or falsehood, but only those who are written in the Lamb’s book of life.